Armchair

Gustave Herter

An item at Metropolitan Museum of Art

This stately armchair is thought to have come from Belvoir, a Gothic villa built in the 1850s in Yonkers, New York, for the tobacco merchant Christian H. Lilienthal. It likely was used in the library, a room for which the Gothic style was favored. A period photograph of the library records furniture identified as the work of Gustave Herter, suggesting the German-born craftsman may have created this chair. The pierced-trefoil back, pointed arches, and crockets borrow directly from Gothic architecture. During this period of profound industrial and cultural change, designers and consumers looked to historical styles such as the Gothic to inform new aesthetic sensibilities. Christian H. Lilienthal was newly wealthy and of Jewish descent. Belvoir, with its impressive castellated exterior and lavish Gothic interior, could be seen as an attempt by the family to gain acceptance to the elite echelons of New York society, using a style favored by its members. Gustave Herter was one of the most highly regarded New York City cabinetmakers from the 1860s to 1880s, and his work certainly would have helped Lilienthal make a statement about his wealth and social standing.

The American Wing

An exhibit at Metropolitan Museum of Art

The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.

Metropolitan Museum of Art