Figural spill vase

Lyman, Fenton & Co.

An item at Metropolitan Museum of Art

The middle of the nineteenth century witnessed a proliferation of relief-molded earthenware covered with an allover mottled brown enameled glaze. Often referred to as Rockingham ware in homage to similar ware first produced in England on the property of the marquis of Rockingham, many of the original molds and designs were brought from England by itinerant potters who fashioned these wares. Variations occur in the glazes by the means of application—dipping, sponging, or splashing—and with the addition of colored oxides. Relief-molded pitchers were the most common forms, but slip-cast animal figures such as a recumbent cows, lions, poodles, and deer, were also popular. This figure of a reclining doe on a base is one of a pair; its complimentary mate is a stag. The two opposite-facing figures were intended as mantel ornaments. The hollow tree trunk behind the doe was used to hold paper or wood spills for lighting candles or oil lamps.

The American Wing

An exhibit at Metropolitan Museum of Art

The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.

Metropolitan Museum of Art