Cuneiform tablet: Utukku lemnutu, tablet 12
An item at Metropolitan Museum of Art
The invention of writing in approximately 3300 B.C. was one of many developments in administrative technology--including the use of geometric tokens for counting and cylinder seals to guarantee transactions--that accompanied the growth of the first cities and states in southern Mesopotamia. Proto-cuneiform is the name given to the earliest form of writing--pictograms that were drawn on clay tablets. Gradually, the pictograms became abstracted into cuneiform (Latin, "wedge-shaped") signs that were impressed rather than drawn. At its greatest extent, cuneiform writing was used from the Mediterranean coast of Syria to western Iran and from Hittite Anatolia to southern Mesopotamia. It was adapted to write at least fifteen different languages. The last dated cuneiform text has a date corresponding to A.D. 75, although the script probably continued in use over the next two centuries. In later periods especially, scribes produced long, multi-tablet series of writings. One series, known as Utukku lemnuti, records incantations to aid in and prevent against attack by demons and ghosts. Some incantations derive from texts dating back to the third millennium B.C., when such texts were first composed, and were transmitted over the centuries as part of the lore of the magician (Akkadian ashipu). This clay tablet is the twelfth in the series. The text, which reads from left to right, deals with the demonic disruption of nature and agriculture and describes a scapegoat ritual in which a goat is used to carry off the evil that afflicts a patient. Several tablets of the series Utukku lemnuti are in the collection of the Metropolitan Museum of art, including tablets 3 (86.11.468 + 86.11.379a, c-f) and 16 (86.11.382a, b + 86.11.382c), as well as several other copies of tablet 12 (86.11.366 + 86.11.542; 86.11.379b + 86.11.534).
Ancient Near Eastern Art
An exhibit at Metropolitan Museum of Art
The Met's Department of Ancient Near Eastern Art cares for approximately 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the emergence of Islam in the seventh century A.D. Objects in the collection were created by people in the area that today comprises Iraq, Iran, Turkey, Syria, the Eastern Mediterranean coast, Yemen, and Central Asia. From the art of some of the world's first cities to that of great empires, the department's holdings illustrate the beauty and craftsmanship as well as the profound interconnections, cultural and religious diversity, and lasting legacies that characterize the ancient art of this vast region.