
Close-Helmet
An item at Metropolitan Museum of Art
The bowl of this helmet is the sole surviving fragment of a rare etched and gilt Italian close-helmet "in the German style" (alla tedesca). The term refers to the channeled surfaces, or fluting, a decorative treatment characteristic of German armors of 1510 to 1530 (acc. nos. 29.158.1a, 14.25.515, 04.3.242) that was enthusiastically imitated by Italian armorers. Struck at the back are two armorer's marks: an unusual monogram comprising the letters P and I suporting a T (?) on a crossbar and a two-towered castle––perhaps the marks of the da Castello family of Brescia. After about 1520, for reasons unknown, Italian armorers generally discontinued the time-honored practice of marking their wares; thus, the workshop of origin of few armors made after that date can be identified. The roped comb is a feature dating after about 1515. The bevor and nape plates are modern additions.
Arms and Armor
An exhibit at Metropolitan Museum of Art
The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.