Linstock
An item at Metropolitan Museum of Art
The complex head of this weapon comprises the following elements (from top to bottom): a short triangular blade with convex sides, pierced along the center with two slits; a circular medallion, chiseled in low relief at the center with a figure of a warrior in Roman armor, and framed by pierced foliate scrolls; two S-shaped arms terminating in stylized dragonheads whose curled tongues serve as match holders; and a circular socket with two straps, fit at the top with six semicircular prongs, each chiseled with a face in the center. The iron surfaces, except for the tip of the blade, are chiseled on a punched background and gilt; the ornament on the blade and socket includes stylized foliage and warriors within medallions. Unlike the decorative halberds, glaives, and partisans with which palace bodyguards were armed, the linstock was strictly a military weapon. Its two arms, or prongs, held the smoldering matches used for igniting cannon, while the short blade also allowed it to be used as a weapon if necessary. Elaborate linstocks such as this one also served as a badge of rank for master gunners and artillery officers. The punched and chiseled decoration of this piece recalls comparable decoration found on late sixteenth- and early seventeeth-century Italian armors. Two similar linstocks are in the Musée de l'Armée, Paris, and, like this example, have their match holders appropriately shaped as fire-breating dragons.
Arms and Armor
An exhibit at Metropolitan Museum of Art
The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.