Sword and Scabbard

Sword and Scabbard

An item at Metropolitan Museum of Art

This magnificent anthropomorphic Celtic sword is also one of the best preserved. The beautifully modeled head that terminates the hilt is one of the finest surviving images of a Celtic warrior. The human form of the hilt—appearing as a geometric reduction of a classical warrior—must have been intended to enhance the power of the owner and to bear a talismanic significance. The face is emphatically articulated with large almond eyes, and the head with omega-shaped and finely drawn hair. Although the scabbard has become amalgamated to the iron blade, affecting parts of the surface, its ornamentation and the exquisitely worked hilt make the whole an evocative statement about the technical ability of the Celts, the powerful conquerors of ancient Europe. The sword is of a type associated with the La Tène culture, named after the important Celtic site on Lake Neuchâtel in present-day Switzerland and eastern France. Other related anthropomorphic swords from diverse finds in France, Ireland, and the British Isles demonstrate the expansion of the Celts across Europe. As the first such example in the Museum's collection, the sword is a superb and singular example that richly adds to a select group of Celtic works of art.


Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

Sword and ScabbardSword and ScabbardSword and ScabbardSword and ScabbardSword and Scabbard

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.