Ball gown
House of Worth
An item at Metropolitan Museum of Art
Worth rarely scrutinized or adapted forms from the East; in this unusual example, he has emulated Middle Eastern enamels. More often, he was an instrument of a Western taste that was projected globally via imperialism. He is said to have created 250 dresses on commission from Empress Eugénie for her appearances at the opening of the Suez Canal in 1868. This gown was worn by Mrs. William De Forest Manice, the donor's grandmother, at both the French and English courts during the reigns of Napoleon III and Queen Victoria. When worn on such occasions, the dress had a detachable brocade train, since destroyed.
The Costume Institute
An exhibit at Metropolitan Museum of Art
The Costume Institute's collection of more than thirty-three thousand objects represents seven centuries of fashionable dress and accessories for men, women, and children, from the fifteenth century to the present.