The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome)

The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome)

Stefano della Bella

An item at Metropolitan Museum of Art

For comments on the series, see 17.50.17-234.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome)The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome)The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome)The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome)The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.