Dumblain Abbey, Scotland, part XI, plate 56 from "Liber Studiorum"
Joseph Mallord William Turner
An item at Metropolitan Museum of Art
Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Lupton here added mezzotint to detail Dunblane Abbey, whose ruins overlook a river from a wooded bank. Below, women wash clothes and the waterway winds away at right towards a distant bridge. The composition relates to a drawing made during the artist's 1801 Scottish tour, and the letter "A" in the upper margin indicates his category of Architectural landscape.
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.